‘“that was to conceal that I escaped”: Transgressive Ontologies and Female Monstrosities in Penny Blood and Dreadfuls (1828-63)’. Gothic Interruptions. IGA. Dublin, Ireland 2022.


‘“Mistress of the Broomstick”: Biology, Ecosemiotics, and Monstrous Women in Victorian Penny Bloods’. Witches and Witchcraft: A Global Inclusive Interdisciplinary Conference. Prague, Czech Republic, 2022.


Episode 16: Penny Dreadfuls and the Gothic. Victorian Legacies with Emma Catan. 2022 February 5.


‘Affective Environments and Criminal Ontologies: The Female Offender in Penny Publications’. Captivating Criminality 8: Crime Fiction, Femininities, Masculinities. Bamberg, Germany 2021.


‘A Wolf in Wife’s Clothing: Wildness and the Reclamation of Self in the Wolf Stories of Frederick Marryat and George MacDonald.’ NWLNC. Manchester, UK. 2020.


‘”Othering” the Human: Vampiric Legacy and Darwinian Evolution in Poppy Z. Brite’s Lost Souls.’
‘Performativity and Expectations: Corruption of the “Final Girl” in Friday the 13th.’ PCAACA. Philadelphia, PA. 2020.


Panel Chairperson

‘Spectral Anomaly: The Disappearing Act of Bridget Bishop, Salem’s Absentee Witch 1692-2018.’ Gothic Terror, Gothic Horror. IGA. Chicago, Il. 2019.


‘“Thou Bearest a Woman’s Face”: Identity and Gender Inversion in Titus Andronicus.’ ESRA. Rome, It. 2019.


‘The Infertile Frankenstein: Eugenics and the Sterilization of Victor Frankenstein.’ Gothic Hybridities. IGA. Manchester, UK. 2018.


‘“I will be with you on your wedding night”: Sex and Science in Mary Shelley’s Frankenstein.’ UVC. Venice, It. 2018.


‘“Nor [ever] was in this place before”: A Modern-Day Case Study of Bridget Bishop, Salem’s Absentee Witch.’ SEA. Tulsa, Ok. 2017.


Panel Chairperson

‘Living Digitally: The New Social Technology of Authentic Life Writing.’ Lead Paper. Changes. Ewing, NJ. 2016.